We’re concentrating our energies around this party on those grounds. We set about talking to a local Bedouin community there, and we’ve been talking a lot with the experts on the issues going on with the Dead Sea. I realized that the possibility of connecting Day Zero with all of the thousands of Bedouin tribes and wandering nomads that have been crossing the Dead Sea area for thousands of years could be a really interesting place to start, as a celebration of those people. After that, things started to gently fall into place. I started thinking about ancient Greece or ancient Egypt and when I stumbled upon Masada, which was a place that I’d been to many, many years ago, I started to think about it as a prime location. So, for Day Zero anywhere else in the world, I figured that it would have to be the same. For the past few years, I’ve been thinking, “Well, I’d really like to take this Day Zero identity to other places.” In Tulum, we connected the cultures and traditions of the Mayan people with their ancient civilization. It’s something very, very special and unique. This event has become one of the most loved parties in the world. It was an opportunity to come together as a collective gathering of people who needed to find something special to celebrate life over. And the world around me needed a bit of a jumpstart. This was a new beginning, a new start for people. Is that what drew you to Israel for your upcoming Day Zero party? Day Zero was a party that I created in the Mayan jungle as a way of celebrating the 21st of December 2012, which was supposed to be the apocalypse. Masada fits nicely into this vast desert landscape then. Knowing that the ultimate thing for me was to play a beautiful sunrise set in a vast desert expanse or in the depths of the Mayan jungles or in an igloo on the top of a mountain in Austria allowed me to focus on creating the perfect party. It meant that I could have a bit more of a focus on what I wanted to do, bring people together in a beautiful way in incredible places at special times of day and night. This helped me galvanize a new direction for both my DJ sets, but also for my parties and events. What prompted you to take your sounds outside the studio?Īfter playing all over the world in clubs and festivals, I established that my sounds and the music that I play really suited the outdoors, specifically places of real natural beauty, like deserts, mountains, forests, jungles and beaches – with a focus around sunrise and sunset. I landed a job at FFRR with London Records and that was my first proper job in the industry. So, I became immersed in the music industry. Obviously, while I was doing that, I was rubbing shoulders with a lot of people in the music industry: press departments of the major labels representing various artists that I was interested in writing about. I became the assistant editor at Dazed And Confused. After a little while, I figured the easiest way back to music was to try and become a music journalist. Within a couple of years, I was working at national newspapers. They took me on as a trainee and I excelled pretty quickly as a journalist. I left college and realized that I was pretty good at writing. At 19, my girlfriend and I decided to have a baby, which meant I had to find myself a proper job, so I put my headphones down to try and figure out what I was going to do. I was going to clubs by 16, following DJs around and trying to learn how to mix. At 14, I persuaded my parents to help me buy turntables and a mixer. I was 12 when I got hit by the bug of chasing records, following music and recording regular shows. I started on the road to being a DJ when I was very young. NOTE! Consider delaying until first div on page If (slot) slot.addService(googletag.pubads()) (function (a, d, o, r, i, c, u, p, w, m) Mixing it up at Masada - Israel News - The Jerusalem Post
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